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Origin

from the source

Chasing the story behind the tattoo.

Custom large-scale irezumi. Royal Danish Academy of Fine Arts. Ongoing ukiyo-e woodblock study.

Studio Dropout, Copenhagen
Tattooing since 2016
Bookings Selective
Adam Vecht working on a Japanese dragon arm at Dropout Copenhagen
Authority

Four facts. Credentials before craft.

  1. Training

    Royal Danish Academy of Fine Arts. Croquis, drawing, and painting. The foundation is craft, not trend.

  2. Source study

    Ongoing ukiyo-e woodblock study. Adam reads the source material directly, not the Instagram version of it.

  3. Reach

    14,865 verified followers on Instagram. Contemporary irezumi in a feed dominated by flash and noise.

  4. Experience

    Tattooing since 2016. Resident at Dropout Copenhagen, one of the most respected traditional studios in Scandinavia.

healed plates

Healed single-motif work. Years after the last session.

Tiger and snake backpiece. Healed.
Tiger and snake backpiece. Healed.Plate III.a
Tiger / Snake2024 · 14 sessions · healed 8 months
from the source
Peony (Botan)
Peony (Botan)Plate IV.a
Dragon (Ryū)
Dragon (Ryū)Plate IV.b
Koi (Koi)
Koi (Koi)Plate IV.c
Hannya (Hannya)
Hannya (Hannya)Plate IV.d
Snake (Hebi)
Snake (Hebi)Plate IV.e
Tiger (Tora)
Tiger (Tora)Plate IV.f
Chrysanthemum (Kiku)
Chrysanthemum (Kiku)Plate IV.g
Samurai (Bushi)
Samurai (Bushi)Plate IV.h
Oni (Oni)
Oni (Oni)Plate IV.i
From the symbolism guide

three motifs, three stories

The symbolism layer is where the meaning lives.

Peony. Botan. The king of flowers in classical Japanese imagery. Worn alongside warriors in Edo woodblocks. Not loud, but heavy. People feel its weight before they know its name.

“Most people choose a design. Adam's clients choose a story.”

Koi. The fish that swims up the waterfall and becomes a dragon. A motif for someone who has earned, or is in the middle of earning, the transformation. Not decorative. A statement about the climb.

Hannya. A woman consumed by jealousy and grief, now a vengeful spirit. The horns and fangs mask sorrow. Worn as a warning to oneself, never a threat to others. Rooted, never theatrical.

Healed peonies backpiece, Botan motif by Adam Vecht
Botan, the Peony. Plate V.a. Plate V.a
The process

How an application becomes a piece.

  1. Comment a motif on Instagram.

    Comment the motif name on any relevant post, or use the form below. Both routes work. Adam reads both.

  2. Receive the symbolism guide.

    Adam sends you the symbolism breakdown for your motif. Origin, meaning, placement logic. The full guide covers lotus, nami, and momiji.

  3. Apply with your project.

    Fill out the application form below. The more context you give about motif, story, and body, the faster Adam can evaluate fit.

  4. Adam reviews personally.

    No assistant. No auto-reply. Every application is read by Adam within forty-eight to seventy-two hours.

  5. Calendar and deposit.

    If the project is a fit, you receive a date. A one-thousand DKK deposit per non-consecutive session secures the slot.

Healed dragon and tiger backpiece by Adam Vecht, photographed in studio after healing
Healed backpiece. Dragon and tiger. Years after the last session.Plate VI.a
What it costs

Pricing is presented without apology.

Single-motif projects sit at the lower bound of the price ledger. The numbers below are direct. No softening.

Denmark day session, six hours
7,000 DKK
Denmark weekend day
8,000 DKK
Denmark hourly rate
1,250 DKK
Abroad day session
7,500 to 8,000 DKK

Deposit. One thousand DKK per non-consecutive session. Non-refundable. Transfers and is deducted at the last session. Multi-day block, three consecutive days, three thousand DKK.

Or if the project is bigger

Considering a bodysuit project instead?

Bodysuit projects start with a sixty to ninety minute consultation call. Twelve to thirty-six months of multi-session work. A different conversation altogether.

Where collectors travel from

international reach

Clients fly in for motif projects.

Collectors arrive in Copenhagen from across Europe, the Nordics, North America, and Japan for single-motif sessions and multi-session work with Adam.

In his words

Ihaveamodern,contemporaryapproachtotraditionalAsiantattooing.Ispecializeincustom-madelarge-scaleworkthatlastsalifetime.Iworkwithstoriesandsymbolismaswellaspurelydecoration.Iloveworkinginbothcolourandblackandgrey.

· Adam Vecht
Adam Vecht at work, executing custom irezumi at Dropout Copenhagen
Adam at work. Dropout, Copenhagen.Plate IX.a

“First, because I'm chasing the story and meaning behind the tattoo. Often there is one, even though the client might not be aware of it. Second, because my style is more rooted and therefore closer to traditional Japanese tattoos. I work from the core principles, and bend the rules without breaking them, and still enough to put my twist on the motives.”

· Adam Vecht
Send your idea

Apply with your project.

Adam reads everything personally. Strict filter. Custom large-scale work only. No copies, no colour realism, no portraits.

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